The Philippines’ creative industry has grown into a ₱2.12 trillion economic force, strengthening its position as one of the country’s biggest sources of jobs and economic activity while putting the spotlight on the need for stronger support for artists, artisans, and creative entrepreneurs.
As the country marks Philippine Creative Industries Month this September, the latest data from the Philippine Statistics Authority showed the creative economy expanded by 6.9% in 2025 from ₱1.98 trillion a year earlier. The sector accounted for 7.6% of gross domestic product and generated 8.71 million jobs, equivalent to 17.8% of total employment.
The industry’s growth spans film, music, design, architecture, publishing, digital media, fashion, crafts, and culinary arts, underscoring the expanding role of creativity in the Philippine economy. Yet many creators continue to struggle with limited access to financing, markets, training, and institutional support despite the sector’s rising contribution to national output.
Senator Loren Legarda said the industry’s economic gains should translate into better livelihoods for the people producing the country’s creative work.
“These figures show how much Filipino creativity already contributes to our economy. Pero ang mahalagang tanong ay kung umabot ba ang paglago ng ekonomiya sa mismong mga taong lumikha.”
Legarda said a stronger creative economy should enable musicians, filmmakers, designers, writers, artisans, and indigenous cultural communities to build sustainable careers from their work rather than treat creativity as talent alone.
The month-long observance follows the Philippine Creative Industries Development Act, which Legarda authored. The law institutionalized Philippine Creative Industries Month every September and established a framework for developing the sector as a driver of innovation, culture, and socioeconomic development.
As chair of the Senate Committee on Culture and the Arts, Legarda has long pushed to link cultural preservation with economic opportunity. She said traditional knowledge, local craftsmanship, and indigenous practices should be recognized not only as heritage worth protecting but also as creative assets that can generate income and sustain communities.
She cited the National Arts and Crafts Fair, which she initiated in 2016, as an example of expanding market access for local artisans and cultural communities. The annual fair gives traditional craft makers a national platform to reach consumers and grow their businesses beyond their hometowns.
“Our artisans should not have to choose between preserving their craft and earning a decent living. When we give them access to markets and opportunities, we help keep traditions alive while allowing families and communities to benefit from the skills and knowledge they have carried for generations.”
Beyond market access, Legarda has filed several measures in the 20th Congress aimed at strengthening the country’s creative ecosystem. The proposals include bills seeking to establish a Department of Culture, protect Philippine culinary heritage, promote indigenous writing systems, strengthen the Philippine music industry, and institutionalize a national rondalla training program.
She is also advocating stronger support for Schools of Living Traditions, which help indigenous communities pass on traditional knowledge, skills, and cultural expressions to younger generations.
Legarda said protecting culture is essential to sustaining the creative industry’s growth, warning that traditional practices could disappear if practitioners are unable to earn a living from them.
“A stronger creative economy needs more than recognition. Hindi sapat ang palakpak, paghanga, at parangal kung kulang naman ang suporta para mas maalalayan ito.”
She said the next stage of growth will depend on building an ecosystem that gives creatives access to training, financing, intellectual property protection, and larger domestic and international markets while preserving the distinctly Filipino identity behind their work.
“The Filipino has never lacked imagination or talent. What our creatives need are doors that stay open, with access to training, protection, financing, markets, and institutions that believe in their work.”
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